When wars end, usually there is a winner and a loser. Greeks burn down the city for the win; Trojans accept a dummy horse for the epic loss, like that. As we near the end of the U.S. military campaign in Iraq, and note the beginning of the State Department occupation (the formal mission handover is Oct. 1), it is a good time to decide who lost and who won, and what that means for the future of Iraq.
|By: Peter Van Buren Monday June 16, 2014 7:48 am|
America’s wars in the Middle East exist in a hallucinatory space that imagines Blue Forces fighting Red Forces, Saving Private Ryan but with more sand. Instead, in Iraq right now, there are multiple layers of war going on. For those who like to look ahead a bit, you may feel free to substitute “Syria” for “Iraq” in the rest of this article. Most of this also applies to Libya, Afghanistan and pretty much the rest of the post-9/11 conflicts.
|By: Lisa Derrick Saturday March 17, 2012 8:00 pm|
Rock and roll has been the music of rebellion and social change since the 1950s, and each successive wave of youths have discovered its power (chords) and embraced its do-it-yourself aesthetic. Punk rock and technology, from cassette tapes to MP3 and file sharing have made music the most easily understood and easy to identify mode of rebellious self-expression. The music, lyrics, and yes, fashion have been and are still threatening to the powers that be: Los Angeles Police chief Daryl Gates viewed punk rock, especially the band Black Flag, as a major threat, regularly sending in riot cops for their shows and says Black Flag drummer Greg Cameron: