|By: Suzanne Tuesday February 21, 2012 10:00 pm|
|By: Gregg Levine Saturday December 10, 2011 11:11 am|
Gregory Jaczko, the chairman of the United States Nuclear Regulatory Commission, made some comments to the press earlier this week. Jaczko, it seems, is worried. He believes, as noted in an Associated Press story, that “U.S. nuclear plant operators have become complacent, just nine months after the nuclear disaster in Japan.” The NRC head thinks that a slew of events at over a dozen domestic nuclear facilities reveal the safety of America’s reactors to be something less than optimal.
To be clear, safety concerns at any kind of plant, be it a soda bottler or a microchip manufacturer, are probably not trivial, but when the safe and secure operation of a nuclear facility comes into question–as the aftermath of Chernobyl or the ongoing crisis in Japan will tell you–it ratchets up concern to a whole different level. So, when the man who more or less serves as the chief safety officer for the entirety of the nation’s nuclear infrastructure says he’s worried, many, many other people should be worried, too.
|By: Lisa Derrick Tuesday September 6, 2011 8:00 pm|
My stepfather, Fred Karger was a film composer and musical supervisor at Columbia, MGM, for Elvis Presley’s goofball oeuvres (Harum Scarum, Kissin’ Cousins, Frankie and Johnny, etc.) and later for a series of campy independent films like Riot on Sunset Strip. He’s best known for the theme songs he wrote: From Here to Eternity, Magnificent Obsession, Gidget, Gidget Goes Hawaiian, and for his love life: He dated Marilyn Monroe for a number of years and was married twice to Jane Wyman. And once to my mom. Fred, who died in 1979, was super cool and a great stepfather. Every day I give thanks for having him in my life, for all the amazing people I met through him, and for showing me you can live life by following your creative dreams.
So when the name Fred Karger first popped up in my inbox during the Proposition 8 campaign, I did a huge double take, it’s a pretty unusual name.
|By: Eric Comstock Sunday September 4, 2011 1:59 pm|
It’s never “happily ever after” for a superstar who cares about his work and respects his audience as much as Tony Bennett does. David Evanier has peeled the onion to reveal the sometimes-charming, often-raffish world of New York showbiz, and the competitive treadmill of recording for Columbia Records, people who always gravitate toward the quick buck rather than the distinguished catalog. That Tony has succeeded, and has had the best period of his career while in his 70s and 80s, is both a miracle and a great story, which David tells wonderfully.
|By: Suzanne Thursday August 18, 2011 10:00 pm|
|By: Suzanne Sunday June 6, 2010 10:00 pm|