On December 2, 1942, a small group of physicists under the direction of Enrico Fermi gathered on an old squash court beneath Alonzo Stagg Stadium on the Campus of the University of Chicago to make and witness history. Uranium pellets and graphite blocks had been stacked around cadmium-coated rods as part of an experiment crucial to the Manhattan Project–the program tasked with building an atom bomb for the allied forces in WWII.
|By: Gregg Levine Tuesday January 29, 2013 12:55 pm|
|By: Gregg Levine Sunday April 22, 2012 1:59 pm|
Little more than 13 months after the world’s third major civilian nuclear accident in three decades, it might be surprising to find that one of the words commonly used in context with nuclear power these days is “renaissance.” Though more the product of public relations than real observation, the concept of a “nuclear renaissance” took hold over the last decade purportedly as a response to the rising price of fossil fuels and a growing concern over climate change–and it became so much a part of the lingua franca that even after an earthquake and tsunami triggered the massive crisis at the Fukushima Daiichi nuclear power plant (a crisis that continues to this day), media reports still try to assess how much of a renaissance we will see post-Fukushima, rather than laugh at the idea that a renaissance ever existed.