Last night, I sang for the last time with the Nashville Symphony Chorus. We sang a fully orchestrated Serenade to Music by Ralph Vaughn Williams (this is the original version) and Carl Orff’s Carmina Burana in the world-class Schermerhorn Symphony Center with the Nashville Symphony led by Giancarlo Guerrero.
I have always loved singing. My mother taught me how to sing around the piano, and I sang with the kids choir at St. Joe. After my voice changed, I quit singing except in the shower for years, until my friend Hank suggested I try out for a community theater production of Gondoliers, a Gilbert and Sullivan show. I couldn’t read music, I can’t dance (which left?), and I had little stage experience. Lee Green, the director, began the rehearsals by teaching us a warm-up, sort of a line dance with steps from the show, which all of us, chorus and principals, stagehands, and musicians, performed at the beginning and end of each rehearsal. It was an important lesson: it is the group that counts, not the individual.
I joined a Church Choir that sang classical music. Once again, it isn’t about individuals, it’s about the group. I learned how to make my voice fit with the others. I started singing opera a few years later, mostly because I was tired of the tight discipline of church music, and I immediately learned that opera chorus singers subordinate their voices to the demands of opera music. At least opera choruses sing louder, and it’s fun to sing in mixed groups rather than sections.
The Nashville Symphony Chorus has about 150 singers, each with a lovely voice, all trying to sing so softly that an audience had to strain to hear it, or so loudly that we soar over a 100 piece orchestra playing full volume, and everywhere in between. It is intensely pleasurable to sing with these groups. I can’t write down what it feels like to have all that sound around you, that beautiful music, the words, the orchestra, and dedicated friends: it fills your soul.
These choruses are full of people from all backgrounds. The ability to sing and the love of singing exist in a huge range of people, in wealth, income, education, work lives, personal and sexual lives, religious and political beliefs and just about every demographic. We all shut our eyes to those differences, and focus on the things that unite us. We are the body electric. Well, mostly.
My church choir was set to sing a new arrangement of an old Baptist Hymn, Just as I Am. I loathed the arrangement, thought the words were bathetic, and totally disagreed with the theology. So after the second rehearsal, I told the choir director what I thought and said perhaps that Sunday would be a good one for me to take off. She said that there were about thirty older people in the congregation for whom that song would be the most meaningful thing the choir would sing all year and that I needed to focus on that, and find something I could contribute to those people. So, I did my best to put myself in that frame of mind and find that emotion to give to those people. Listeners are part of the group.
And then there was the time we sang The Passion of Ramakrishna by Philip Glass. It puts into music the last month of the life of the Hindu holy man, Ramakrishna. Like much of Glass’ music, it has long droning repetitive lines that modulate slowly and in unexpected ways. It seems very emotional to me, and the words reinforce those emotions, in this case, of love of a divinity that is totally foreign to me, so much so that it seems like a completely different conception of the nature of divinity. I had to work to find something to share with the audience. Some of the people in the Chorus refused to sing the piece, because it contradicted their religious beliefs. We missed them in the performance, it would have been much better with them.
One of the great strengths of our country used to be our voluntary organizations, like these choruses, and the Lions Club and the VFW. People from all walks of life get together to work on projects, and we all learned to subordinate our differences to accomplish goals that were more important than those differences. The biggest voluntary organization was our democracy. We as individuals were more or less willing to subordinate our differences to do the things that seemed best for the country. We don’t do that any more, do we? I miss it, just like I’ll miss the Nashville Symphony Chorus.



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You’ve got a lot of heart, Masaccio. The chorus will be diminished by your absence.
O, fortuna!
Great piece…Thanks for the kind and important reflection. Do not know why you are leaving and hope you are OK….Thanks for sharing the experience.
Why are you quitting?
We’re moving to Chicago; our daughter and her family live there, and we really love the city. I’m hopeful I’ll find a place to sing there.
Nashville is a special place for music. Everywhere you look you find people with a talent. My law colleagues included a number of singers and guitar players, including several classical singers, country and rock singers, musical theater show people and several violinists, and of course, song writers. One of our recent DAs played with a blue grass group which included several other lawyers and professionals and a couple of other groups. Every church has a great choir, and most sing several kinds of sacred music.
I will miss all that.
You should have no problem finding places to sing, especially in the outlying areas around Chicago. Unless things have changed dramatically, there was more classical music performed than I could have possibly attended.
It’s the one element that I missed greatly when I moved from Chicago to Portland. It took almost 20 years before Portland could even muster a symphony that could hold it’s own with the small orchestras in the Western suburbs of Chicago.
Nice finish to your work in Nashville. I always thought that the Vaughn William’s piece: “Serenade to Music” ” to be one of those “Why didn’t I think of that!” ideas.
Of course, “Carmina” needs no comment!
Velut Luna!
Masaccio, you and I have a similar gift. I cannot lead a chorus, but I am excellent at matching pitch.
Just a thought, but have you thought about joining a group performing Gregorian Monk chanting. Angus Dei is an amazing song.
Book Salon up with Gar Alperovitz’s America Beyond Capitalism: Reclaiming Our Wealth, Our Liberty, and Our Democracy hosted by Mike Konczal
I love Gregorian Chant. I remember singing it in 5th grade at an Easter service. I’ll bear that in mind.
what a great article.
although some people think they can’t sing, I disagree.
anyone can participate in making music.
music, any kind of music, can can bring people from very different backgrounds together, and break down cultural, and racial barriers, and introduce/broaden understanding, eliminate prejudices.
there is nothing better than making music, and that is particularly true in a group starting with a group of two people, and any size up from there.
you won’t have any trouble finding people to make music with, Chicago, or anywhere else you end up.