Trouble the Water

Tia Lessin, Carl Deal, Producers / Directors

As Hurricane Katrina bears down on New Orleans, Kim Rivers Roberts and her husband Scott, two residents of New Orleans Ninth Ward, emerge as unlikely heroes who rescue their neighbors and survive the chaos.  And Kim documents it all.

Kim uses her new video camera to film the events before and during the storm, documenting her neighborhood and the unfolding drama. As the flood waters rise, she and Scott bring their neighbors first into their home and then brave the flood waters to transport them all to her brother’s house on higher ground.

Emblematic of the hundreds of thousands of stranded residents, Kim, Scott and their neighbors travel by dinghy and foot  through waist high water to a nearby navel base which has plenty of housing available. They are turned away by armed guards. Later they take up refuge in a high school, and finally Scott procures a truck to drive twenty-five neighbors–including senior citizens, children, and pets–to Alexandria, Louisiana, 220 miles north of New Orleans.

Kim and Scott and bastions of strength and love as they deal with National Guard, help their displaced neighbors with FEMA paperwork and Red Cross relocation. Gradually their backstory is revealed: Kim’s mother was a crack addict who died of AIDS. Kim stole and dealt drugs to get by, marrying Scott, another dealer, five years later. Kim–as Black Kold Madina–is also an aspiring rapper. And she is a woman of astounding spirit, courage and love.

The couple’s drug dealing is born out of lack of options and opportunities. Perversely, as disastrous as Katrina proves for New Orleans, it gives them and their traveling companion Brian a chance to prove their mettle and create new lives for themselves.

As Kim and Scott travel as refugees we learn heartbreaking stories of their family and neighbors. Kim’s grandmother died during Katrina, abandoned in a hospital with other elderly patients, while an uncle died in his home. Kim finds a neighbor–seen on in her earlier footage rejoicing that his work is closed because of incoming storm–drowned in a house where he had sought shelter. Her younger brother, jailed for a misdemeanor, is one of thousands of prisoners left to fend for themselves as deputies evacuate.

Intercut with Kim’s astounding footage are news reports of the futile FEMA efforts, President Bush attempting to cope with the monumental disaster, and images of the city during and after the storm. Kim, Scott and their friend Brian relocate to Memphis, Tennessee where Kim’s cousin lives, whose words echo the thoughts of so many, says:

We have one of the greatest governments in the world. But unless you have money and status, you don’t have a government…

Hurricane Katrina showed the utter unpreparedness of our emergency systems, the failure of government agencies to help people, the lack of communication and compassion of bureaucracies–and the strength of individuals to survive, transform and transcend.

It’s revolting to learn that billions of dollars designated for displaced residents were never dispersed; to see the racism which pervades the city’s redevelopment–the majority of African-Americans remain displaced; while the majority of white residents have returned. Katrina revealed the utter lack of coordination, care and compassion our government agencies have for the poor. But hey, Harrah’s Casino was opened in time for Mardi Gras!

Kim and Scott do return to the Ninth Ward and rebuild their lives there, changed and renewed by their experiences. They are the lucky ones.


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