Welcome to FDL Movie Night. Please stay on topic–in this case Almudena Carracedo’s excellent documentary Made in L.A., immigrant workers’ rights, the struggle of immigrants which is part of our nation’s heritage, globalization of the garment industry and its effects pro and con on workers–especially women, any upcoming May 1 protests… Kindly keep blue language to a minimum and no disparaging remarks. Okay, all that being said:

The Emmy Award-winning documentary Made in L.A. traces the three year-long struggle between garment workers and the mall-shop retailer Forever 21–whose profits are listed currently at $640 million.

While Forever 21 was selling knock off tops for $13, their contractors were paying garment workers 19 cents a garment, taking advantage of undocumented immigrant workers. But the workers found an ally in the downtown Los Angeles-based Garment Workers Center in who helped guide a lawsuit and a series of protests, holding Forever 21 responsible for the worker’s conditions.

Their lawsuit is thrown out, and Forever 21’s owner Don Chang retaliates suing the GWC and protesters for defamation and libel. By the way, Don and his wife Jin Sook Chang, are hardcore “culty” Christians; Bible verses are published on Forever 21 shopping bags and

designers go on Christian missions around the world, and the company gives sh*tloads of money to orphanages and churches and Christian educational institutions, etc.

Way to demonstrate your faith, Mr. and Mrs. Chang–exploiting workers!

The intimate and moving documentary focuses on three women–Maria, Maura, and Lupe–all of whom have come to Los Angeles hoping for a better life. Maria must cope with a husband who disappears on the weekends, spending his paycheck on drunken benders while she takes in extra piece-work to make ends meet for her and her three children. Maura was fired for asking for a fair wage; she is struggling to earn enough to bring her sons across the border illegally from El Salvador. We see her learn that her children have disappeared making the voyage. Lupe quits her job in the factory and is hired to become and organizer at the Garment Workers Center, eventually traveling to Hong Kong as part of WTO protest coalition.

Their stories reflect the dreams, hopes and struggles of immigrants who traveled here over a century ago, as Maura and Lupe learn when they travel to the East Coast to carry the boycott message further. And though there is friction at Center, burn out from weekend potests starts to fray nerves, and concerns mount that their appeal will not be heard, what emerges and grows is a sense of unity and purpose, especially when the garment workers’ efforts are validated after three years: Their case goes through on appeal, allowing workers to sue retailers and hold them responsible for their contractors’ labor practices. Forever 21 and the workers come to a settlement before the suit is heard, and while the terms are undisclosed, the statement released by both parties emphasizes fair and just treatment of workers.

But Maura points out in the film’s conclusion, jobs are scarcer, more manufacturing work is being exported. Her response: To study English and get a better job and apply for citizenship.

It is Lupe who best sums up the immigrant experience, sitting on a wall in Hong Kong overlooking the harbor, reflecting on the changes in her life, from garment worker to labor organizer:

Just jumping over the Rio Grande to Los Angeles was like wow!

That is the beauty of immigrant experience, that progress and changes can be made, that hope for a better life is here–but it is the sacred duty of employers to provide safe working conditions at a living wage and not exploit workers for one’s own material ends.


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