
Howie Klein and Dirk Dirksen in younger days
Legendary Mabuhay Gardens' punk impresario Dirk Dirksen died in his sleep Monday night:
Born in Braunschweig, Germany, in 1937, he followed his father, a professor of aerodynamics, to this country in 1948. The family eventually settled in the Los Angeles suburb of Downey. He served in the Army as a public relations expert and made his show business debut in 1957, producing an all-night live television remote from a Wilshire Boulevard auto dealership featuring neophyte and amateur entertainers called "Rocket to Stardom." An unknown Lenny Bruce once appeared on the 12-hour weekly broadcast.
He attended San Jose State but dropped out to open a surfing business in Santa Cruz. He worked as a producer on an ABC-TV series about surfing and served as tour manager with acts such as Ray Charles, the Supremes, Iron Butterfly and the Doors. He also managed the 1968 presidential campaign of comedian Pat Paulsen.
He moved to San Francisco in 1974 and, two nights later, stumbled into the Mabuhay Gardens. He started presenting late-night events at the club featuring Les Nickelettes, an all-female guerrilla comedy troupe. Whoopi Goldberg made an early appearance at the club.
When punk rock emerged on the scene, Mr. Dirksen immediately began to book the unruly bands. He presided over his impolite empire with an enduring patience and a sly smile. Robin Williams once described comedy hell as "opening for the Ramones at the Mabuhay Gardens."
When Dirksen was young he produced a soap opera about surfing called Never Too Young that I used to watch when I was a little kid and that's how I caught the California bug. By the time the Fab Mab was in full swing in the late 70s few people remembered it but I could still sing the theme song and that always made Dirksen laugh. I probably spent 4-5 nights a week at the Mabuhay during its heyday and so did Howie Klein. The Outrageous Beauty Pagent, Dummy Dirksen and Mabuhay popcorn were staples of nascent SF punk culture. You always made sure you had a marker so you could fake the "over 21" stamp that allowed you to buy Nes Aquino's cheap shitty beer. My experiences at the Mabuyay did more to strip off the suburban middle class straight jacket than anything in my life before or since, and for that I thank Dirk Dirksen.
Ginger Coyote has more at the Punk Globe.
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Rest in peace, Dirk Dirksen.
Too young but never too young
To set this whole world spinning
And we are never too young
For us life’s just beginning
So walk hand in hand with me
There are love songs to be sung
Say you’ll be my girl
And we’ll show the world
We’re never, never
Too young
Thanks, Dirk. Have a safe journey.
Am I giving away any big secrets if I say Digby was at the Fab Mab too?
San Francisco family values.
You have had so many go this past year.
God bless you ,Jane.
I am going to see my Grandma .92,broken hip, in a nursing home.
It’s been very ugly,I’ll spare everyone the details.
Thanks for having me over.
In my Frisco days, i hated punk. (not true, i just wasn’t interested.) Then after a Crime concert, i had a long discussion with Dirk. i was changed.
i honor what he did to keep the newness alive. i spent many hours refreshing myself about alive music.
I’m not sure i can envision Jane pogoing to the Mab (Mabuhey) bands (Howie was always in the corner), but i can attest to the spirit of those days… and i’m sad that Dirk is no longer with us. But i’m thankful for what he created within the San Francisco punk underground, and thankful that Dirk was an example of one who tries to work the business side of an exploding clientele.
What he did in music is an example for what we must now do to take back our world. Still it hurts that he’s no longer with us.
Fiance’ asks if you know Lamar St.John, Jane…
TeddySanFran @
7
I do not but hi to the fiance, Teddy.
Jane, Howie,
I am sorry for the loss of your friend.
Jane Hamsher @ 8
backatcha he sez. L StJ was of that place & time, but we all know how paths uncrossed were wended then….
Where was the Mabuhay Gardens? It sounds so familiar but I can’t place it. I moved to SF in mid ‘77…I did a tremendous amount of dancing at a place called Trocadero Transfer that was south of Market…I guess I was into the near-ending era of the disco era and didn’t get into the punk scene. I remember the safety pins in friends’ noses, ears, etc. I hate pain and think that scared me off that particular music trend. Damn, I do miss SF.
So sorry for your loss, Jane. I lost so many in SF during that first wave of AIDS…what a nightmare.
Jane … thank you for sharing this beautiful tribute
and thank you to Dirk for helping to make our Jane who she is today
that’s quite a legacy
I was on the other coast making runs to CBGBs to listen to the Dictators and all … important time for realignment,eh?
The closest I came to the punk scene was seeing The Tubes at Radio City Music Hall. Sorry for the loss of your friend Jane.
So many deaths today: Anita O’Day, Philippe Noiret, Betty Comden!
slade @ 11
The Mabuhay (Fab Mab) is on Broadway right at the end of the strip. It was a Filipino supper club and the owner, Nes Aquino, allowed a few local bands to play there in the hope of selling some drinks. “Mabuhay” means “Shalom.” The biggest underground band in town, The Nuns, played and there was a line around the corner. Everyone had dollar signs in their eyes. Nes was realistic enough to realize he couldn’t handle it– or didn’t want to– himself and when Dirk presented himself as a show biz figure and a bohemian, it was just what he needed. There was almost no booking policy; there were more slots, especially in the beginning, than there were bands, so anyone could play.
The Mabuhay was more a hangout than a showcase. You went for the scene and sometimes there was a band worth hearing. Sometimes there was an incredible band– but not that often. Not many bands with big names played there– not even big underground names– because there were no accounting procedures at the door (to be polite). It was more about the local bands anyway.
It was a great time in my life and I was close with Dirk for quite a few years, although I haven’t been in touch with him in over a decade. Now I feel badly that I haven’t. Bon voyage, Dirk.
Still wearing mine.
It’s rather amazing -to me, at least- that so many of our “icons” (or famous/semi-famous personalities) shift or drift around from one ‘job’ to another so quickly until they get docked into what is finally ‘known’ to be their passion/career.
Are they just more intelligent or driven than the rest of us? If so, what is it that drives them to so many seemingly diverse occupations through their years, until they find/run-into one that ’sticks’/what they’re best known for?
What I’m sort of wondering is… there’s so many famous people that have, at one time or another, been managers/producers/agents for other well-known celebrities or other well-known entertainers and/or smart people…
So — how do/did they get to that position… was it due to design (smart ambition); dumb luck that matched to their natural abilities; growing into and suddenly realizing what they were best suited to do; or what??
And if so, how did they finally realize that’s what they were “meant” to do??
I’m sorry. I apologize for killing this thread tonight.
I don’t think I ever exchanged any words with Dirk at the Fab Mab, except for the usual heckling when he was up on stage insulting the crowd between bands. But I was there often enough to appreciate the fact that he didn’t “go Bill Graham” on us.
It was a blast to see him MCing for the Fab Mab Reunion show last April at the Fillmore. It truly was like time travel as he, the Mutants, and the Avengers’ Penelope Houston all looked (and sounded) almost identical to 25 years ago. It’s a shock that he’s gone.
I can’t recall all the bands I saw at the Mab, but they definitely included the Avengers, the Dils, the Mutants, the Contractions, Devo, Madness (on their first performance in the USA), the DKs, Talking Heads, and others. If I got out my old Search & Destroy’s I could recall others.
That was a special time in SF, but sadly all scenes eventually drift apart.
Here’s my favorite part of Joel Selvin’s obit for Dirk:
I think every city in America has a Dirk Dirksen kind of character. For me it was a former road manager for John Mellencamp and former promoter named Bob McCutcheon. Bob is still with us to this day and we even have stayed in touch.
People like Dirk Dirksen are needed in this world and are missed even more when they are gone because people like Dirk Dirksen are visionaries and risk takers. They will hang their reputations on the line and put themselves out there because they believe in a young musician’s right to try to get an audience.
Bravo to this man and the life he led. He is already sorely missed and I hope Jane, his familly and the rest of his friends are comforted in knowing when a personality like his was called for he gave it his all. When a risk needed taking he took it. When a crowd needed insults to feel loved he loved them and when the city of San Francisco needed a cultural enema he gave it the Fab Mab.
poztron @
19
I was at that Madness show. I raced across the Bay Bridge after seeing Ronnie Woods play with Bob Marley at the Oakland Colliseum. Talk about a contact high. Then we all went to the Target party. Crazy times.
Lenny Bruce’s appearance on Rocket To Stardom was the stuff of legend in my family.
“H.J. Caruso is innocent !!”
Oh hell; the sheer brilliance of Rocket To Stardom can’t even be explained.
I traded a lot of heckling with Dirk over a few years. As the Nuns first soundman, to soundman and then band member of Crime, I saw it unfold from the very first days. In early 1977 we’d ride on busses in SF with our spiked jackets and spiky hair and people would glare at us saying, “What the hell are you???” As Howie said, it was more of a hangout than a music club, we were just there to be with our freaky friends. Then in mid-77 the news media picked up on “punk rock” and suddenly we were underground art-rock ground zero. That was actually around the time Dirk appeared on the scene, after Ness went through a string of disasterous booking agents. I think Crime was the band Dirk loved to hate the most, but as Crazy Horse seems to be saying, he really did understand and love what was happening. I recall once giving Dirk a ride to Marin County to pick up some cans of film he was desperate to get ahold of, and on the way back he bought me and my girlfriend dinner. He was clever, cool and charming over dinner, a side of him I’d never seen since I only had contact with him in the club, where he was always “in character.” Like Howie, I hadn’t seen Dirk very often over the last decade or so, except once or twice at various “reunion” events. But no one who was around back in the day will forget him.
Farewell, Dirk.